Whose Awards Are These Anyway?

Very thoughtful and thought-provoking, if somewhat depressing, piece on men’s power in the film industry.

Women's Film and Television History Network-UK/Ireland

Whose Awards Are These Anyway?

Natalie Wreyford

In a very timely article, Natalie Wreyford, BAFTA voter and member of Women’s Film and Television History Network, raises some key questions regarding fairness in award ceremonies’ voting processes. She asks whether we need to consider external contexts more seriously, such as the behaviour of nominees to their co-workers or the influence of marketing techniques on the voting process? And crucially, in a year when The Oscars seemed to take a tentative step from escapism to empathy’ in choosing Moonlight as Best Picture, she considers what creative diversity has been lost through history as a result of the system as it still stands.

This article originally appeared at the f-word contemporary uk feminism online and is reprinted here, updated for Oscars 2017, with their kind permission. This article originally appeared at the f-word contemporary uk feminism online and is reprinted here, updated…

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