Every year in the middle of Spring, a roomful of silent film geeks (this is a compliment btw) gather at King’s College London for a happy wallow in the world of British silent film. Here’s my round-up. Continue reading
It’s been a hectic end of 2013/start of 2014 so my screen roundup has taken a back seat for a few weeks. Now though (before it really is too late) I’m knuckling down to thinking about what a very good film year it was. For the first time I managed to watch 100 films in a year: a drop in the celluloid ocean compared to some of my film friends but it’s pretty big for me. Cambridge Film Festival in September was hugely enjoyable, meeting lots of lovely new people, seeing many unexpectedly good (and a few bad) films and writing some reviews for Take One. I started a blog, penpaperaction.wordpress.com, where I post about film, theatre, books and anything else that catches my eye. The most-viewed posts are A Bit Of A Yarn: Knitting For The Cinephile and It’s A Stitch Up! (do have a look, click on titles), which are explorations of the connections between film and knitting and sewing. It’s a surprisingly fruitful thread, if you’ll pardon the pun.
2013’s films started for me with The Angels’ Share at the community cinema I help run; it went down very well and surprised many of the audience, some of whom hadn’t expected to be so brilliantly entertained. 2013 was a big year for community cinema generally, as it seems to have made a small mark on the BFI Film Forever plan, with promises of potential funding and support to develop the network. Organising a community cinema is huge fun, very rewarding and a lot of work. We’ve managed to achieve near or complete sellouts throughout the year, with just a tiny autumn dip in attendances, and we’ve been delighted to hear positive responses to A Separation, Les Diaboliques and The Spirit of ’45, amongst others. Our new line is offering (sold out) film classes thanks to a BFI/Cambridgeshire Film Consortium pilot scheme; so far we’ve enjoyed Hitchcock’s Women, Introduction to film, Millions Like Us: Home Front cinema and Close Readings of 10 films.
In September, the Competition Commission announced its bizarre and ill-informed decision that Cineworld, the Picturehouse chain owners, must divest themselves of three cinemas, most likely Picturehouses, in Aberdeen, Bury St Edmunds and Cambridge. This soaked up many hours of thinking, emailing and discussing and the outcome remains uncertain, despite a high profile media campaign that was even debated in the House of Lords. So we enter 2014 not knowing if the Arts Picturehouse, so important to Cambridge culture, will survive the year; meanwhile 2014’s programme forges optimistically ahead. The Movie Evangelist’s blog is the best place to find out the ins and outs of this shambles.